Don't Just Do Something --

If I were a Zen practitioner, I'd "let" that title end, "Stand There!"

If only I were a student of Zen.

I would tell you that it rained in the night and that the roses were bowed with water this morning. The sun has come out now & soon they will lift their heads again & perhaps smell a little sweeter for the bump up in temperature that's coming & that will also brown, wilt & kill them as a new crop comes along.

I've been taking w-a-y too many pictures of roses lately. They're in season; before that it was iris, tulips, daffodils. Close-ups. I am bored with Brooklyn Heights & so I've turned my camera on the individual, on the living & the dying, on the things that collect light & rain. On the blatantly sexual. I can't train my lens on the heart of a flower without knowing I'm peering into the Darwinian purpose & honeyed pleasure of life.

I don't know whether I respect roses. They're prissy until they're ready to fade & wilt, their skirts gathered together, their reproductive parts a maze for clever, delving bees. But from sex they cam'st & to sex they shalt return. Only look at that barely visible blood-red center & tell me that this girl is a virgin.

Which is where I could use some Zen.

My manuscript is out of my hands. I've caught up on my other blog obligations at Confessions of a Lab Lady and Psychology Today. I've done some advance cleaning in preparation for my nieces' visit in a couple of weeks. I've returned some emails. Today I have notes for my novel open. But I can't settle down, although getting those notes open is more than I could manage yesterday in terms of what I need to be doing.

I've been poking around psyches instead, always a dangerous business. Car on the Hill is too public to go into details, although I'm dying to because I want those details off my chest & this is the place I dump my brain-junk, so let me quote Mother Goose by saying that I stuck in my thumb & pulled out a plum & said, "What a bad girl am I".

A general mood has been set here, I hope, so in the context of the mood I'm going to say that I don't hide behind other blogs & poke my head out only to comment on them. I want my invisibility as I metaphorically eat forbidden pie so I'm being as obtuse as my accusation/self-justification. Still, can one create memoir without passion dripping off the keyboard in the form of brutal honesty? THAT, I think, you have seen here.

OK, I'm putting on my invisibility cloak again & closing that subject. If you're dying for details, ask & I'll think about responding individually, although only to named correspondents, if you please.

*

The other piece of brain-junk I need to get rid of is a whiny little rant about clothes. It doesn't seem fair to lose 41 pounds (in 104 days of abstinence: just for the sake of stats) & all Big Clothes still don't fit. I have to return a box to J. Jill today & I should be happy to do so: I don't need to spend that money when I have tons of clothes. But it seems to me that my clothes are either egregiously floppy (i.e., the leggings I'm wearing today sag) or ten pounds/one month too big. Where was I that I didn't get properly fitting clothes the last time my body was 229 pounds?

This has to be a general phenom, the righteousness of a serious loss within a weight loss in-progress. "We've come such a long way already," Dorothy protested the Wizard's demand for the Wicked Witch of the West's broomstick. I've traveled the Yellow Brick Road, I guess, but I haven't killed the witch.

& by the time I do, I'll be watching the balloon lift off without me as I lament what else doesn't fit.

"What a brat girl am I."

In Answer to a Question

"Tell me how you work," a rediscovered friend wrote me recently. It's an interesting question that I've been pondering how to respond to ever since.

I've gone back to my novel after months of hiatus so I think I should start with why I don't work.

I was, as I've said too often, depressed. I was also obsessing about Christmas, and getting Christmas as packed up as possible because I thought I would be getting revision instructions from my editors in the first week of December, then in the first week of January. In between scouring the recycling for shipping boxes, I could have been working on my novel but what was the point? I would have to drop it in God knew what state in order to turn my attention to rewriting Angry Fat Girls.

That didn't happen. I'm expecting revisions in the middle of this month.

As I've also said too often of late, I feel I don't deserve to write -- even that I can't write -- can't think straight, don't have the energy -- when I'm into the food.

& I was into the food.

If you've been reading my blog, you may note a trend in my life to get over myself, to put aside the shit that blocks me like ideas about food, weight, worthiness, competition, envy -- even deadlines like Christmas or revising AFG. I'm trying not to exclude myself from the world because of these things. So the energy & desire to write has been mounting with my readiness to take part in life.

But then there was the chapter itself that I had to start, one in which schizophrenia plays a major part. I felt, despite much research, humbled by this incredibly horrible disease. How could I bring it to life? I went back & reread one of the bibles on the disease & yet another memoir. There were hints of it in the first chapter & I may have tinkered with them early after I got back from Arizona, seizing them as opportunities to show the early symptoms. I reread the chapters from the Jane Austen novel I'm stealing from. I divided my chapter notes into two separate documents, one about Jane Austen and one about schizophrenia. I tried to reduce each to one page or to at least reduce the redundancies and unnecessary stuff.

One day last week I was either sitting on my bed or in bed & I heard something. I couldn't place the fleeting sound but it my brain conjured the ends of a paper clip being rubbed together, a teeny metallic voice.

That was the moment I knew I could start working on the chapter that had dangled for so many months.

I haven't used that sound/image. It was just a moment in which my gut told me I "got" the illness enough to write about it.

On Saturday, January 31st, I opened the document, re-read the three paragraphs I'd written, twiddled a bit and dove in.

I usually overwrite & always encouraged my clients not to worry about overwriting. It's easier to cut than it is to add, unless you have a very patient and savvy editor. (A blessing on your head, Becky Cole.) I also always coached the "show, don't tell" adage of writing, one that was driven home in revising Passing for Thin. I'm better at it now & I rely on dialogue to a good extent. This is a first person, present tense novel -- the beginner's cheap way out -- so I don't need to worry a lot about what other characters are thinking or even doing. Cheesy but easy.

So how do I actually work?

First there is the matter of the desk, which I like to have reasonably organized & reasonably dedicated to the task at hand. In the photo above, which I can't drag down today, you'll see a notebook in front of my computer screen. It had schizophrenia notes in it & now has more notes about dates. I don't work from many hand-written notes but taking a notebook to bed while I read a reference book is easier than typing them & there is always a need for reference points.

You'll also see that just behind the monitor is a piece of paper on a magnetic bulletin board. It's a run out of all my characters' names, ages, occupations & is no longer completely accurate. Just above the monitor is a small piece of paper with essential names & relationships from the second chapter. I haven't taken it down because it's a nice piece of torture.

On the left hand side of my desk is a a pen holder and a bunch of papers. This is actually a recent innovation that was also an instigation to write. I cleared the top of my small filing cabinet last week & did some organizing. The Bat Cave abhors a vacuum, so I naturally put two filing thingies that I didn't know what to do with there until I could figure them out. One was empty. Saturday brain wave #1: Clean it & chuck all the junk from the other side of the desk into some sort of order in it. That leaves the other side dedicated to essentials.

So that's my desk & it morphed last Saturday morning before I heard the paper clip.

I used to think I had to start writing upon getting up in the morning, but with a dog to walk & a life to organize in advance of other dogs, I learned in AFG to write when I can. I don't smoke outside of my kitchen, and I don't drink much at my computer because I'm too busy, one way or another, to remember to sip.

This is good not only because the main room of my apartment is relatively clean-aired but because when I write a section that is hard or needs a bridge, I have to get up & go out to the kitchen to take a break. One cigarette or putting a book away or, if I'm really cooking & can trust myself, folding laundry, gives me a bit of time to come down or figure out the next simple problem.

I couldn't write without the Internet. I'm constantly looking things up. Yesterday I took ten minutes to find my character's dining room table. I haven't described it yet & probably won't, but it was something I needed a picture of in my head. I made a new bookmark file called "Cranberry Street house" & stuck it there. That led to a new piece of information just for my head. I chose a Mission dining room set, quite simple & light. Ergo, my main character will have baroque china & silver & ceiling moldings. This is only important to me but I know more about her because of it.

I usually pause, I realize in writing this, after I finish a paragraph. Not a break, a pause.

I keep another document going called "Outtakes". I paste longish cuts in it. Sometimes I use them later.

I've been keeping track of my word counts this week because it's easer than pages. But I hated query letters that described a manuscript as being 200,000 words in length. As I move into a chapter, I begin thinking more about pages because I aim for each chapter to be 21 pages.

Sometimes, especially at the beginning of a chapter, I'll write a precis for myself. It's an internal dialogue: "OK, so this chapter is about how mean Cinderella's stepmother is & how impossible she makes it for her to go to the ball. There will be a fairy godmother in it. A dress the color of winter butter."

That's what's hanging above my monitor, or a parallel thereof.

I try not to leave the computer when I don't know what's coming next. It's only when I'm secure in what is coming that I can quit. It makes opening the document less scary.

On days, such as Monday & Tuesday of this week, when I had extra walks rattling around in my head, it's best if I can make my peace with not writing at all. On weekdays, I need to be mindful about not getting number-obsessed. It's the weekends when I might turn out four or six pages a day. I've written one page today & need to figure out the next third of the chapter. I know what it entails & I know what the Austen parallel is, but I need to strike at the heart of it, not the set-up. I don't think I'll do any more work on it today, but who knows?

I use a thesaurus.

I seem to depend heavily on the following reference books that are above my desk: an old Bantam guide to movies; my German, French & English dictionaries; British English from A to Zed; a dictionary of the saints; Edith Hamilton Greek mythology; an old Blue Guide of New York & an old New York Zagat's.

I work hard to cut, among other words, "always," "when," "just," "even," "so," "however," "only". I KNOW they're evil. I don't have to wait to get rid of them.

I don't begin again by rereading the whole chapter. I tend to start with what I wrote the day before & edit that.

I don't walk around with with a pen & notebook. If something is really worth remembering, I will.

Sometimes I badly need to disconnect from a project for the balance of the day.

Sometimes that's when I write my blog.

Off to walk Boomer.

"All I want," she sighed, "is..."

Let me start off by thanking you for your understanding, advice and support. Further, I'm feeling a little grayer after so much blackness. Getting a very small cold that's kept me away from the nursing home has also given me a small space -- very small because I've been sleeping like it's my new profession and I am not abstinent. There hasn't been room for the Great American Novel in the gap my cold gave me, or even room to do the laundry or bathe every day. But I'm in less despair than a week ago.

Just before I set out on the afternoon dog rounds, I was sitting in my kitchen not enjoying the taste of my coffee and whining to myself. "I don't even know what I want," I said of today's soporific atmosphere.

That was immediately and transparently one of the stupidest things I've ever said.

I want to be abstinent, I retorted.

I want a bunch of money.
I want to be thin.
I want to start chapter three of my novel.
I want to get Pam's situation under control.
I want some energy.
I want to be in [my 12-step] Program.

Those were the items that came to mind at the moment. Here are some more:

I want to live in a home where I can give a dinner party.
I want my body not to ache.
I want a television that's not snowy and a DVD player in both my computer and my television that works.
I want Barak Obama to win the election. I want him to get us the hell out of Iraq. I want him to make Brian Schweitzer Secretary of Energy.
I want to go on a real vacation.
I want my debt to be less that five thousand dollars.
I want to know if my Missoula friends are still my friends.
I want lilac bushes.

I have no illusions that these things will make me happy-with-a-capital-H-Happy, but they would certainly promote comfort, satisfaction, community, existential meaning, and hope.

What have I done as I've slowly (and I do mean slowly) pulled myself up out of this dark place? I ordered most of my Christmas presents. I figured out how to make some stuff on Cafe Press. I've given reasonably good dog. I've eaten what I wanted, or thought I wanted, at night.

As I look at this list, I'm struck by how achievable they are. I'm pretty powerless over Pam's recovery in and of itself but I can coordinate things to facilitate it. I'm quite powerless over the election and I wish the Obama people would stop emailing me forty times a day to "call my friends and talk them into voting" for him. They have in their records my zip code. I live in a zip code that sports Obama placards in twentieth-story apartments; I don't know anyone here who's not voting for him and I won't risk yet another family schism by talking about it in certain quarters.

I'm utterly powerless over the appointment of Schweitzer to a new cabinet.

I'd say the big stumbling block in the way of everything is lack of abstinence and lack of energy.

I wonder if they're the same thing.

Consumed with Details

Stats:

Day 45 of abstinence
Starting weight: 262
Today's weight: 240
Total loss: 22 pounds
Dogs walked today, besides my own: 3
Attitude: frustrated & sad, in that order...


I have more than half of this week off, at least in terms of the first half of the day. Henry & Hero are away which means two - three dogs in the afternoon & I'm done.

I was gonna:

• Exchange my Montana driver's license for a New York State license
• Get a massage in Chinatown
• Finish Chapter Two of my novel
• Got to the NYC Aquarium
• Take the 7 p.m. harbor cruise around the waterfalls
• Visit an old friend in a rest home
• Deal with the enormous stack of NYers dating back to September, 2002
• Get batteries in watches
• Assemble the Daisy calendar for my mother's birthday
• Buy a sleeve for my air conditioner & make arrangements for it to be installed and the dry walling repaired
  

I've managed to:

• Wrap a couple of packages & mail them...but not all because I had to order more printer cartridges as well as a shipping label from Zappo's
• Write my Lab Lady post for the brooklynheightsblog
• Write two sentences of chapter 2
• Get down to 7 New Yorkers, throw out the plastic thingie they were in, recycle a lot of boxes and paper bags, donate school supplies to Housing Works
• Talk to the neighbor who said he would call today (and hasn't) about the air conditioner and dry walling
• Get my hair cut
• Take a lot of pictures for a friend who's painting flowers and doodle them around in Adobe Photoshop, then make prints for another painter-friend who doesn't have a computer
  

Keep these lists in mind, as well as the fact that I'm meeting a friend for dinner in 90 minutes, need to go to meetings tomorrow night and Saturday morning, and am going out to dinner at friends' house on Saturday night. Four of those items mean leaving Brooklyn Heights for a considerable length of time -- visiting my friend won't be a quick heist either.

My dreams have been violent -- dragging a black witch (as opposed to a witch of white magic) around by the ears, teaching tough seventh graders.

Now add the ingredients of five dogs dying this summer, three of them "friends" of mine, and the news that my walking time bomb, Roger, is moving to Long Island in a week.

Roger. Roger, Roger, Roger.

There is a particular kind of love one has for a dog that hates (i.e., is scared of) everyone. There are four people in the world who can pick this little man up and I'm one of them. Only three of us are asked for belly rubs and two of us get humped and I'm the only person he kisses.

And he's leaving.

I've been on the verge of tears or crying ever since I heard. Before I took him out yesterday, we had a long talk. I asked him to remember me. I told him how much I love him. I told him how smart and beautiful he is. I asked him to remember our cookie game, our scary game, how I cam over and crawled into bed with him when he was so sick. I told him I will always remember reaching over to turn his ears right side in, and his gray beard and how he runs in great exuberant arcs. His owner called me today and asked what I did to him yesterday -- he spent the evening asking for cuddles rather than staking out the bathroom as his private territory.

I think Roger understood me, at least emotionally.

And I think I'm weepy not only about Roger but about the loss of Godiva, Barley and Zeke. The privilege of being trusted by a dog to turn up, love it, walk it, make it comfortable, make it feel loved, make sure it has some fun and pleasure has made me public in a way that nothing I've ever done before has. "Are you the Lab Lady?" bare acquaintances are beginning ask now, having read the bhblog. It's gone another step beyond being the Mayoress of Hicks Street's tender.

But it comes down to the dog. I won Roger over the same way I won Godiva over. I sat down on the floor and was. I sat and was Frances, whatever that is. They decided it by looking me in the eye, smelling me, eating some cookies, tasting my skin, walking on me. I feel as though I'm losing a percentage of my love and validation in the loss of Roger.

Old issues. I can see them however, and I can feel my sads and know they'll pass.

I just wish I could have wiped that list out...

Jiggety-jig

In the last month, I have spent five nights in my own home. My latest foray was to The Land of No Irony, also known as Sun City, AZ. Actually, the town may have an Irony Store now, but it was too hot to find out.

One week of 110-degree days, my parents' very small lives, reading and sleeping and eating. I zoomed through a badly written but interesting book, Paws and Effect: The Healing Powers of Dogs, which my mother is now enjoying, Pride and Prejudice and The Starter Marriage. I slept for most of 36 hours. I filled their freezers with homemade cookies and found one of my father's long lost friends...in the Denver Post obituaries. I lopped off all my hair. My friend, A, said this morning that it's one shade away from overalls and flannel shirts and motorcycles boots.

It was awful but useful in sorting out some of the unmanageability challenge.

Here's the deal: Everything in my life is a mountain. Forty-eight hours ago, I wanted/needed:

1. to be a good daughter -- helpful, entertaining, loving, companionable
2. to pack
3. to work on two editing projects
4. to answer hundreds (I'm not kidding) emails
5. to be in touch with old friends I've not spoken to in months or years
6. to work on my novel
7. to work on the tablecloth I've been embroidering since the 1970's
8. to sort photographs and unpack boxes for my parents
9. to help my father make pasties
10. to tape record my parents' stories
11. to blog
12. to read blogs
13. to return phone calls
14. to rewrite my addresses in my Filofax
15. to work on a guest blog for a major fashion magazine
    

And a few other things.

All of the above was in my power (or in my suitcase) to do. Instead, I started reading Harry Potter and the Order of the Phoenix while I ate cookies.

When I got up yesterday morning, I was disgusted with my food and still shuddering from the hair stylist trying to show me that back of my hair (I saw my profile as she turned me around and slammed the mirror down). I had a six thousand page book to add to my backpack that was already heavy with my laptop. I had done very few of the items above, except to chop vegetables and make pasty dough in the Cuisineart for my father, and [too often] grudgingly chat with my parents.

All of that stuff remains, as well as the last of the unpacking to finish, dogs to take care of, laundry that needs to be done, cleaning, getting to meetings, buying groceries and cooking, trade in my Montana driver's license for a New York license, get out of jury duty, and read a spate of books I need to read for my novel.

What got in the way? Laziness or exhaustion. Wanting to tune out my real life, the one in which my parents are feeble and my shoulders and right hand are yacked out from dogs pulling and the obligation to write.

These are fine reasons for not embroidering or writing chapter two except that I went there with Good Intentions. The best way to obliterate Good Intentions is to binge on flour and sugar.

My bowels are a mess, I'm looking at a seatbelt extender in ten or twenty more pounds, I'm NOT looking at myself, I have a mountain of self-loathing side-by-side with my mountains of flesh and my mountains of food.

That's three mountains I have to climb before or simultaneously with getting myself to the DMV or the washing machine. It was an opportunity lost to find out exactly who immigrated from Lvov in the 1880's. I'm still at one chapter when I'd like to finish this book by Labor Day.

Those are the mountains behind the mountains.

The Black Beast and the Red Demon are at war over the turf of me today. I should be calling writing this blog & getting to the bank a success.

But the fur is flying and the hills are alive...

Finding My Center

I've been both complaining about being tired & not knowing what to write next and contemplating a conversation I had about a friend who is in a constant frenzy about situations he continues to re-enact that result in huge drama and his lack of much else to talk about.

Writing Angry Fat Girls was not a pleasant bike ride in the park. From the time I returned from Arizona in January until April 16, I had not left Brooklyn Heights, had rarely strayed from my beaten dog/grocery paths. I was boarding a lot, doing early/late walks, squeezing in taxes, blah blah blah. I came away stressed out & scared. I felt like I'd disappeared at the same time my body was getting bigger & bigger. Someone kindly commented that maybe I should cut myself some slack, rest, enjoy not having a book to pound myself with. But I couldn't.

Then I had that conversation and realized that my friend's problem is that word we've used a lot on the AFG blog a lot lately -- center. He has no center, or none that he's willing to open up and act from & for.

The human center is the invisible bit of anatomy that functions like a metal detector. It searches for the life impulse -- and sometimes for the death impulse. What makes me feel alive and what mimics feeling alive, what is authentic and what is fake?

I know that when I get too busy looking for clothes, ebay fragments, new books, etc. that I'm mimicking my life impulse. I love all that stuff but it's imaginary. Those capris will be perfect for iced coffee with so-&-so; If I watch Lost Weekend, I'll get some really witty lines for that iced coffee. A piece of Noritake in my grandmother's pattern will connect me to my past & inspire the day when I have a real home...

This is what our friend does too much of as well & in these days of my decompression & floundering, I have quite a list of deliveries I'm expecting. But the pressure I put myself under to find a new book project was, despite the bitch of a mood it put me in, a healthy one. I'm a searcher. I want to understand concepts, facts, people at a molecular level. I want understand myself that way as well, which risks repetition & appearing inordinately self-occupied & boring on a blog or, alas, in a book.

This is my purpose, this search. My tools are mostly words. If I'm not writing, I'm not living from my center. What is difficult for me to understand is that sometimes the search itself must be sought. So all the agonizing of these last weeks was really, all along, part of the stretch to act out of my best self.

I finally wrote down all my novel ideas, devoting a few sentences to each. I emailed a friend who is a psychic about the dilemma, and I emailed the list itself to my agent. They had completely different responses. I felt a little pissed off about being told what I shouldn't do. At the end of the day I sat down & looked at the list again. I hated all of them. A couple required a lot of research & I don't want to take the time after having done a book with a lot of research in it. Another promised to keep me in the same foul psychic place I've been for too long now. I hated the plot of another & didn't know what to do about it.

Which of these ideas that I was lukewarm about was most commercial? This question has also caused readers to respond with warnings against thinking that way, but I was desperate & had to think every which way to settle on something before I had too many more days of being in a really awful mood.

I've had an idea for a screenplay for years that I've done nothing about. What's more commercial than a screenplay? Why is the idea for a screenplay rather than a novel?

And there, yesterday at about 1:30 in the afternoon, as it was time to get ready for dogs, was my answer. The story told itself to me. By the time I left the house, I had names for the characters. I had subplots. I'm certain I can create three crisis points upon which to string the rest along. I am in love with the ease of it. I love it because I love having the next right thing in front of me to do. I'm in love with it because I intend to hand it to my agent the day after Labor Day & if it's awful, I'll have learned something about novel writing, not churned in futility for four months, & can move on.

Or maybe it will be good & be turned into a screenplay.

It has one fat character, but she isn't a main character. There are marriages & romances that work normally. There are children. There are no literary agents, no unhappily single people, no diets, no dogs (maybe). It's just a novel.

& at 2:20 yesterday afternoon, when I left the house to pick up Boomer, I started breathing again. Now I can get back to searching for aspects of truth & lucky phrases.

& today I don't mind that it's raining.

Breathing

The first draft of the book is done and in my editor's hands. So be it.

The last two or three weeks have been as stressing as any I've experienced in their own ways. I've boarded out with a dog two weekends in a row, had the manuscript to revise, was doing 8 a.m. & 9 p.m. walks for an elderly dog. My sister-in-law blew in for 36 fun late hours. I didn't dust for her but I did clean the bathroom.

Yesterday I finished boarding out and slept on clean sheets in my own bed after a weekend of sleeping late and watching TV at Allen's house. It's good to be home even if home is [still] dusty, disorganized, cluttered and hairy. I'm excited to be abstinent and deeply perplexed about what to do next.

I was walking Daisy and Henry home from Hero's house yesterday evening, a circuitous walk via the bank in a lighter rain than we'd had most of the day or would have at night. I stopped to take a picture of the lilac tree, which is the sweetest smelling place in Brooklyn Heights and possibly the world right now. The photo can't capture it, not only because one sense doesn't substitute for another but also because the white lilacs don't convey that immediate Proustian blip that purple lilacs on a bush do. Nonetheless, it made me think about being in my body after a long spell of being out of my mind.

By the time we stepped out of the bank, where we'd replaced the two $5 bills Henry had snacked on earlier, it was supper time on Montague Street. The humid air held the smells of hot oil, garlic, spices from the Chinese restaurant across the street, broiled meat from the souvlaki vendors, the underscent of two rainy days that had sprouted mushrooms on the plane trees. My left shoulder hurt from sleeping awkwardly sandwiched between Daisy and Allan; an encounter with a snot of a dog walker a couple of weeks ago that sent Allan and Boomer into a frenzy and resulted in fracturing the cartilage of my right index finger (forget opposable thumbs: an aching index finger is hell) twinged; my feet were glad to be in warm socks in my asparagus-printed rainboots. I was getting hungry and I needed to pee.

And for once I wasn't having a heart attack over what had to be done. I want to clean one of my kitchen cupboards, begin making the change of season clothes, delete a bunch of photos from my computer, round up all the websites I used in the book in one file, answer emails, scour the job postings at the American Writers Program site and run 52 errands -- but the albatross of dogs eating the fringes of my time, the time that should be devoted to writing, the necessity of being social: all that was gone. I could take stock of where I stood.

I don't know what I'm doing next. I want to write a novel. I have four ideas. The one that's most attractive right now is unfortunately closest to the whining I've blogged about and wrote about in Angry Fat Girls, as well as some other elements from the book. Dogs, magick, chaos theory, revenge.

Are these subjects good for me? Am I writing a fictional "project-oire" of one alternate future rather than a true novel? I'm sick of myself after two memoirs: can I stand another round of my obsessions? Is the idea commercial?

This makes my shoulders tense and my stomach rise. It is the next day: quite cool, light rain, my windows admitting the sound of birds, leaves in the breeze, airplanes, rain. My toes are chilly. Daisy is sleeping.

I took my sister-in-law to Sunday in the Park with George two weeks ago and cried from the end of the first act through the second act. I mean, I cried. Tears were dripping off the end of my hair. The pain of artistic redundancy, breaking through to the next personal level, the shoulda's and coulda's of love pierced me thoroughly. I'm not Geroges Seurat, not a genius, although it's plain stupid of me to feint a humility that ignores the thanks I've received for writing Passing for Thin, for chronicling this pain of weight and outsiderness and food obsession. Still, I doubt I'll be part of the Canon the next time a Harold Bloom waves his fat-ass opinions around the world. But I am praying for inspiration, readiness, willingness -- and for staying in the moment, in my body, and another day of using the right key for the next dog's door instead of the futile jabbing of the last couple of weeks.

I think I'll take my scared stomach off to the kitchen to make some oatmeal and take some Naprosin, with a Zoloft/Wellbutrin chaser...

Heart of hearts

What a strange expression -- "in my heart of hearts". I'm doing a lot of if-only's & I'd-be-happy-if's these days, a branch of frustration that comes from the plodding my book has come to, the pain the book is about, & fear-fear-fear.

In my heart of hearts I wish I was working on my poor neglected novel.

Frustration is such an appetizer. Even civilian friends recount with some shame that when work is hardest their default setting is "a little something would be good right now".

This morning I sat in my kitchen in the chair that just fits between the cupboard & the oven (I have to move it to use the oven), drinking coffee & having a smoke while Daisy lolled in my pillows. I've been talking to instead of begging God lately. I may rename him Buddy as a consequence of this because I've sort of been making him into a best friend -- the buddy a heterosexual man can be 1% of the time or a gay man can be about 75% of the time.

I was thinking about the boyz who are or aren't distantly in my life right now. I could reel any one of them in closer. Buddy sighed. I sighed back. I don't need to think about that today. Their distance is their business & if I let the distances each has go there will be more room for a Better One if the time is right, or more room for one of them to make his own decision about me.

Glad we cleared that up. Did Buddy think I could be abstinent today? Uh-huh -- as long as I don't snatch that commitment back. What about the book? I have a problem with the chapter I'm working on, or maybe a couple of problems. The content is solid but how does it pertain to relapse per se & what is the plotline of it in regards to the book as a whole? What am I writing today?

Buddy & I came up with two thoughts as regards all of that. OK, I said. Good job. Glad we had this little talk. Time to take the dog for a walk.

& I promptly forgot those two essential thoughts.

Now if Buddy is my best friend as well as having who's-been-naughty/who's-been-nice memory, don't you think he'd remind me of what we were talking about?

Because it's put a damper on my day, those missing insights or ideas. One of those boyz called. & I'm starving.